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Ár nDraíocht Féin
Three Cranes
Chaos Matrix

May 11th, 2007

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03:27 pm - Groovin' down the Path
Today's Jimmy Buffett Oracle is pretty straightforward:
64. I'll put on my Bob Marley tape and practice what I preach.
I happen to know exactly what that means.

This morning, I updated my Liturgy Practicum 1 journal for what I hope is the final time (*fingers crossed*). . . there's a space for a final essay, but it's not required, and I'd like more time to reflect on the journal before I actually do it: it's only been about 5 months since I finished the course, and I'm very happy with how it worked out, but I want more "space" before I start trying to analyze and distill the lessons.

At lunch today, I found myself wondering about two questions in particular:
  1. Is there some code among girls that, if a guy makes you a mixed CD or mixed tape, he's "totally into you"?
  2. Why do I have no Patsy Cline in my entire music collection? How has it taken me this long to notice?
I also re-started my re-working of my Dedicant work today at lunch, and I began with the eight High Days. I expect to retain my old, original work on my website, but I will make a very clear demarcation between the "good stuff" and the "original crappy stuff".

So far, I'm finished with Imbolc and Autumnal Equinox. A key change I've made to the format of my previous submissions of High Days is to use the actual ADF terminology for the "Eight ADF High Days" (see Article 4 of the ADF Constitution). Well, close to it, as I numbered the "crossquarters" as "first crossquarter" and such, and also indicated the season the astronomical phenomenon fell in like "winter solstice". And I included both the "modern Neo-Pagan name" for each and the "Gaulish name" (from Ariotanos Iuranantantios' work).

I'm really enjoying the mental exercise of going back to the basics here. I've said, time and again, that anyone can gain from walking the Dedicant Path. I've been a major influence on lots of DP's in the past four years, and I'm finding a lot of worth in going back to re-do it.

And for all those Dedicants who have the habit of telling me that I'm somehow inspiring, I'd like to point out that it's your work that inspired me to go back and re-work my own DP. And I mean that.
Current Location: Southeast of Disorder
Current Mood: happyhappy
Current Music: "Cinco de Mayo in Memphis", -JB

(15 comments Leave a comment)


[User Picture]
Date:May 12th, 2007 03:03 am (UTC)

I never thought of making mix tapes as a form of flirting-- even after seeing High Fidelity. But them, my friends & I tended to make a mix tapes of stuff we thought was cool & then we'd copy it for all of our friends. Gave them really strange names, too-- one was "The Original Soundtrack to the Film The Day the Anti-Conformist Ate the Middle East". (There was a sequel to it, but I don't remember what it was called) I was notorious for giving my friends audio whiplash by doing things like following the Dead Kennedy's "Kill The Poor" with Enya's "Evening Falls". :-D

Odd that I don't seem to spend time making playlists or mix CDs now, when I think about it.

As for Pasty Cline, I've found that I really can't stand any of her songs. Her voice is good but they're all soooo "I'm miserable because my man left/done me wrong/got hit by a truck" that I want to tell her snap out of it & get a life. Interestingly, when I mentioned this to my music-obsessed uncle George, he told me that she didn't actually like any of the songs she sang, either- for much the same reason. But that's all her label would ever let her sing.

[User Picture]
Date:May 12th, 2007 01:44 pm (UTC)
I was notorious for giving my friends audio whiplash by doing things like following the Dead Kennedy's "Kill The Poor" with Enya's "Evening Falls". :-D


I'm totally on your wavelength there. . . one of mine was in fact named "Eclectic Whiplash" ;)

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